"The power of Art" marks a "style direction" of the artist that has meanwhile shifted far in the direction of abstraction.
As a classical expressionist, Eva Kaiser will probably never leave the solid ground of the figurative, but within this realistic framework, the painter tests colouristic and gestural explosive effects to excess. One can literally hear the brush whizzing through the air at the sight of this rapid painterly handwriting, which in the meantime makes a stopover at drawing. Intermediate tones and two-dimensional transition zones are no longer so important. Everything is concentrated on the loose interconnection of individual brushstrokes. Painting under high pressure, with the threat of explosion, so to speak.
(from World Art)